SHOW NOTES
SHOW NOTES
TME Podcast Season 4, Ep. 14: Basic Scoring Techniques for the Marching Band Part 1
TME Podcast Season 4, Ep. 14: Basic Scoring Techniques for the Marching Band Part 1
Description: The late summer brings a magical time of year when you hear the immortal phrase, "Welcome to Band Camp!" For many music educators and teens this is a special time of year when there is promise of competition, skill development and accomplishment. For some programs, band camp is a time to prepare for parades and competitions. For others this is a time to prepare for spirited football game performances and a chance to get your groove on. Regardless, this time of year is a chance to showcase excellence in music making and today we will discuss "Basic Scoring Techniques for the Marching Band."
Source Material
Source Material
Lifting Music
Lifting Music
Choosing a Key
Choosing a Key
Key Relationships
Key Relationships
The Character of Melody
The Character of Melody
Focus on Block Scoring
Focus on Block Scoring
Upper Part Orientation
Upper Part Orientation
Mr. Spencer-Pierce recommends that smaller band arranging for upper parts should include:
Mr. Spencer-Pierce recommends that smaller band arranging for upper parts should include:
Lead Part - Trumpet 1, Clarinet 1, Flute 8va
Lead Part - Trumpet 1, Clarinet 1, Flute 8va
Part 2 - Trumpet 2, Clarinet 2
Part 2 - Trumpet 2, Clarinet 2
Part 3 - Alto Sax, Horn
Part 3 - Alto Sax, Horn
In contrast, Mr. Spencer-Pierce recommends that larger band arranging for upper parts should include:
In contrast, Mr. Spencer-Pierce recommends that larger band arranging for upper parts should include:
Lead Part - Trumpet 1, Clarinet 1, Flutes 8va
Lead Part - Trumpet 1, Clarinet 1, Flutes 8va
Part 2 - Trumpet 2, Clarinet 2, Alto Sax, Flute 2 8va
Part 2 - Trumpet 2, Clarinet 2, Alto Sax, Flute 2 8va
Part 3 - Trumpet 3, Clarinet 3, Horn
Part 3 - Trumpet 3, Clarinet 3, Horn
Lower Part Orientation
Lower Part Orientation
The bass line can also function separate from the rest of the low brass trio voicing. As a result, the remaining low brass and low woodwind parts may be arranged in the following manner.
The bass line can also function separate from the rest of the low brass trio voicing. As a result, the remaining low brass and low woodwind parts may be arranged in the following manner.
Small Band
Small Band
Part 1 - Trombone
Part 1 - Trombone
Part 2 - Tenor Sax
Part 2 - Tenor Sax
Part 3 - Baritone
Part 3 - Baritone
Medium Band
Medium Band
Part 1 - Trombone 1
Part 1 - Trombone 1
Part 2 - Trombone 2, Tenor Sax
Part 2 - Trombone 2, Tenor Sax
Part 3 - Baritone
Part 3 - Baritone
Large Band
Large Band
Part 1 - Trombone 1
Part 1 - Trombone 1
Part 2 - Trombone 2, Tenor Sax
Part 2 - Trombone 2, Tenor Sax
Part 3 - Trombone 3, Baritone
Part 3 - Trombone 3, Baritone
Scoring for Powerful Moments
Scoring for Powerful Moments
Harmonic Rhythm
Harmonic Rhythm
Final Thoughts
Final Thoughts
Sources
Sources
CONNECT WITH US
CONNECT WITH US